Thursday, June 07, 2018

Whacky Goats Northcoast Open Studios












This collection of whacky goat portraits will be on display this weekend at Northcoast Open Studios June 9,10 (info below). Sometimes I just get a wild hair in my brush and want to make silly paintings. When I got into this series I had been painting a bunch of portraits and had two in a row with bad proportions to the point where I scraped off two day’s work and abandoned the paintings. Still in the mood for painting portraits I landed on goats. No goat is going to come bleating and naaaging you for getting their eyeball placed an inch away from its rightful position. There just gonna eye you up and down, in hopes that you might look away long enough to get a bite of your shirt. Anyway, I started having so much fun, that one portrait begat another until I had myself a herd of whacky goat paintings. I’m not proud, it was just something that needed exorcising. 

This piece along with 300 paintings (many older pieces marked down) as well as cards and prints will be on display for Northcoast Open Studios. Over a hundred other artists will also be showing their work. Find catalogs around town or follow the link below for the online directory. Hope to see you there!


http://humboldt.northcoastopenstudios.com

Tuesday, May 29, 2018

View from Luffenholtz Point



Rick Tolley convinced me to go out Painting this morning with Paul Rickard when I should have been preparing for Northcoast Open Studios this weekend (info below). I’ve attempted this view a few times, but this is the first time that I have put bushes in the foreground. That would have been something I avoided in the past, but now those kinds of elements are really appealing to me. Humboldt is just overflowing with life, bushes growing on top of bushes, with trees reaching through. 


In this piece I tried a new technique, by making a thinned down monochromatic painting in violet, then painting the scene on top. It turned out to be really helpful because I had a strong feeling for the shapes, compositions and values before even starting to plug in the observed colors of the scene. It actually really felt easier.


Northcoast Open Studios is this June 1,2,3,9,10. Pick up a catalog around town or follow this link to the online directory. A ton of artists all over the Northcoast will be opening their studios. My Arcata home will be opened up to the public with around 300 artworks on display,(many older works steeply discounted) as well as prints and cards. I hope you come by!


http://www.northcoastopenstudios.com/

Sunday, May 27, 2018

Northcoast Open Studios June 1,2,3,9,10



Made another morning marshscape for Northcoast Open Studios June 1,2,3,9,10. (see below) The sun was just coming up over Fickle Hill as I worked on this one. I decided to focus on color, atmosphere, and light, instead of detail. It made it possible to get through all of the information I wanted in the painting before the light quality changed too much. Starting to really see the possibilities that wet into wet painting provide. It’s a very interesting, and fun way to paint!


If you are interested in seeing more of my art and the work of many other artists pick up a Northcoast Open Studios catalog around town or follow this link to the online directory. I’ll have about 300 artworks on display along with cards and prints. Hope to see yah there! 


http://humboldt.northcoastopenstudios.com

Sunday, May 20, 2018

Painting at Morris Graves Property then/now



Northcoast Open Studios is June 1,2,3,9,10 link below. This piece was also painted at the Representational Art Leagues retreat. It was a really windy day, so I tried to let the kinetic energy in the air influence my brushwork. It was a bit of a chaotic dance that had and goal of depicting the scene! I tried this same angle 3 years earlier at a painting workshop with Jim McVicker, where he helped me out a bunch. Every time he passed by, I would hand him my brush to see how he would solve that stage of the painting. It was super helpful! Wanted to see how much of that information got internalized over time, and wanted to see what it would look like with just me behind the brush. I’ll post a pic of our collaborated piece below.

Northcoast Open Studios guide is right here:
http://humboldt.northcoastopenstudios.com




Friday, May 18, 2018

Dark Reflected Forest



Northcoast Open Studios is coming up June 1,2,3,9 & 10. This piece was painted during the Representational Art League’s annual retreat out at the Morris Graves property. I worked fast and loose and atmospheric. Was surprised at how much can be said painting in this manner.

Find the directory to Open Studios here:
http://humboldt.northcoastopenstudios.com/
#ncos2018

Tuesday, February 21, 2017

Pigeons on Green #2

 

This is another one of my series of 100 pigeon paintings. In this one I broke up the forms of the pigeons to work more fluidly with the abstract background and used some blue and green pearlescent inks in response to the way the pigeons feathers shine.


"Pigeons on Green #2" 

Casein paint and ink on paper

12" x 9" 


Available here:

https://www.etsy.com/listing/513819289/pigeons-on-green-2

Tuesday, December 13, 2016

The Portrait Project


 
 
 

For the last three weeks I have been painting a portrait a day in watercolor and casein paint, with the goal of setting up a series of daily commissions at 70$ a piece. Each painting is posted on Facebook, Instagram and Sktchy. So far I have received 4 commissions and sold two of my "practice paintings'! This has been really exciting to see that things are already coming together! If you would like to commission a portrait contact me through andrewdanielcomissions@yahoo.com

I have included some process pics this week to show how this piece evolved. I chose this photo from the Sktchy App, because I admired how the models face looked like a classical sculpture. In the painting I wanted to accentuate the geometry and flow of the shapes. So, initially I drew out the planes of the face in pencil. Next I put in a few layers of watercolor wash. Once this was done I decided to put some opaque casein paint on top to see if I could explore the form further. The process took about three hours.

Tuesday, October 18, 2016

Stream with Alders

Stream With Alders by Andrew Daniel
Oil on canvas 12" x 12"

This was an interesting experiment for me. I wanted to try using a Japanese composition technique called Notan. This is where the painting is devided into shadow shapes and light shapes, both need to be interesting compositionally. Then I built up the shadow and the light while being conscious of retaining their opposing identities.

The stream had looked overwhelmingly complex, but this device helped me to break it down and maintain some drama. 

Tuesday, August 23, 2016

Sunny Morning at Hurdygurdy Creek


I just put the final touches on the piece from our trip to the South Fork of the Smith River. I was standing on a bluff overlooking Hurdygurdy Creek with Rick Tolley, Antoinette Toni Magyar, and John Crater. The sun was blazing hot at 10:00 in the morning. We painted until we were about to drop from heat stroke both mornings, then went down to swim in the cool water!

"Sunny morning on Hurdygurdy Creek"
Oil on canvas 
20" x 16"

Tuesday, June 21, 2016

More set pieces and decor

My second iphone theater set piece. From an Insagram group selfie.

Decorations for my daughters graduation dance.


These photos show some of the other decor. Just imagine low light, music and 80 kids in formal attire!

I have been too busy messing around with set paintings and graduation dance decorations to do any "serious painting" these last two weeks. It's been fun to work big again, especially for an assignment that has very little "fine art" expectations. All of these were done as fast as possible, without time for hesitation, without time to shade or even mix extra colors. It is fun also to be thinking in terms of decoration vs. focusing on reproducing a realistic reproduction from life. Probably ideas I need to spend more time with. Years back I had pictured painting more imaginative imagery, but when I switched to oil, I couldn't help but want to go paint landscapes again. This was a chance to feel some of the potential in that direction of exploration.